SONIC CHARGE SERIES

It can be shield-canceled any time before it is fully charged and if the dash is jump canceled immediately upon release, Sonic will perform a fast, long-reaching short hop referred to as a 'spinshot', which allows him to transition into aerial attacks quickly against grounded targets. This move is one of the most defensive moves in Sonic's arsenal. If grounded, pressing the special, attack, or jump buttons during the dash will launch Sonic into the air for a stronger strike that can quickly cancel into an aerial attack or his neutral or up specials, though this will cost him his second jump. The attack will do a single hit as he passes opponents, as opposed to Spin Charge's multiple small hits, and Sonic can turn around before the end of the move to attack again. Upon release of the special button, he lunges forward with a slight hop, then continues rolling to deal damage.

Patches and demos by Adam Fielding, eXode, Koshdukai, Linus Wileryd, Sonic Charge, TONAL AXiS and Tom Pritchard.Sonic curls into a ball and begins charging the attack, sliding backwards as he does so.

Bundled with the product are many patches, combinators and song files that will demonstrate the many different identities that this deceivingly simple looking effect can assume.ДЇull user guide can be found on our product page at: You will find lots of CV inputs on the backside and separate outputs for the two sidebands. It is CPU friendly and automatically вЂњsuspendsвЂќ itself, taking 0% CPU when its inputs and outputs are silent. Even in synchronized mode, rate changes are smooth and will not cause sudden jumps.Д®chobode has no latency and has a consistent sound on all supported sample rates. The LFO can be tempo synchronized and put into stereo mode to generate inverse modulation for the right audio channel. Even with no frequency shifting taking place, Echobode is useful as a high quality echo effect with subtle phase smearing properties.ДЄ built-in sine LFO can be routed to modulate the frequency shifting amount, the phase shift or the delay time. The delay uses an вЂњall-pass interpolationвЂќ technique that is low on aliasing and will preserve all the high-frequency energy of your source signal (even when time is being modulated). The delay time can be synchronized to tempo and it can be modulated to create chorus type effects. The sideband suppression technology introduces additional вЂњphase shiftingвЂќ that adds further to this effect. вЂњbeatingsвЂќ and applying feedback (with a very short delay time) emphasizes this sound. Mixing a slightly shifted signal with the source signal creates phaser-like

This stage also eliminates frequencies that are shifted up over half the samplerate (вЂњnyquistвЂќ). If you want less suppression there is a вЂњsideband mixвЂќ parameter that you can adjust, allowing you to create amplitude and ring modulation effects.Д®chobode features a unique вЂњanti-reflectionвЂќ stage that removes вЂњnegativeвЂќ frequencies (frequencies that are shifted down beyond 0 Hz and would otherwisebounce back into the audible spectrum). We are proud to say that Echobode features excellent suppression over the range of 40 Hz to 20 kHz. The challenge in creating a good frequency shifter lies in suppressing one of these sidebands (otherwise the effect sounds like a regular amplitude modulator). When a frequency shifter processes audio, two вЂњsidebandsвЂќ are generated, one that is shifted upwards and one that is shifted downwards.

SONIC CHARGE SERIES

an overtone series of 100, 200, 300 Hz can be shifted by 50 Hz to 150, 250, 350 Hz, making the overtones inharmonic. The difference between a frequency shifter and a pitch shifter is that it shifts the audio spectrum linearly.

Sonic charge